Feedback
Feedback
Your feedback
Verification Code
验证码
EN
English
Español
Русский язык
日本語
Français
中文
Tickets
请输入关键字
Suggestion Feedback
1.What part of the page does your feedback relate to?
-Please select-
Image
Object
Information
Object Location
Other
2. What type of feedback are you sharing?
-Please select-
Factual Error
Offensive Problematic Content
Providing Additional Information
Other
3. Your feedback
4. If you are open to us contacting you about this feedback, please give your name
5. If you are open to us contacting you, please give your email address
We will only ever use your email address to correspond with you for the purposes of this feedback
6.Verification code
看不清,换一个
Submit
乾隆款青花釉里红云龙纹天球瓶
Category:
Ceramics
Period:
Qing dynasty

Blue-and-white Celestial-sphere Vase with Underglaze-red Dragon-among-clouds Design and Qianlong Reign Mark

Period: Qianlong reign (1736–1795), Qing dynasty (1644–1911)

Dimensions: height: 47 cm; mouth diameter: 10.7 cm; foot diameter: 15.5 cm

 

This globular vase has a straight mouth rim, long neck, and ring foot. The interior is covered in white glaze while the exterior is ornamented with a dragon in underglaze red soaring through blue clouds above a turbulent sea. The underside is inscribed with a blue three-column, six-character seal-script mark reading “Made in the Qianlong Reign of the Great Qing” (Da Qing Qianlong nianzhi).

 

An innovation by kiln artisans of the Yongle (1403–1424) and Xuande (1426–1435) reigns during the Ming dynasty (1368–1644), celestial-sphere vases (tianqiu ping, variously translated as globular, celestial-globe vase, sky-globular vase, or bottle vase) are embellished primarily with blue designs. During the Yongzheng (1723–1735) and Qianlong (1736–1795) reigns of the Qing dynasty (1644–1911), variations in blue with underglaze red, contrasting colors, and famille rose were made. The elegant vase has a sturdy design—one rather commonly seen among ceramics made at official kilns during the Qianlong period. Positively reflecting the ancient Chinese concept of “clouds following the dragon” (yun cong long), the portrayal of the dragon with three sections of its body exposed while the rest is concealed behind clouds is a technique prevalent on works of the Shunzhi reign (1644–1661). The style of mottled clouds is seen most commonly on pieces from the same earlier period but was used during the subsequent Kangxi reign (1662–1722) and employed with enhanced realism during the Qianlong period.

Show All Details Show Fewer Details
Suggest Feedback